Persia and Persepolis – two sides of the same coin. You cannot think of one without the other! (this post has been saved from Archers and first appeared in June 2014)
J was there in autumn of 1978, just a few months before the revolution that overthrew the despotic regime of the Shah Mohammad Reza Pahlavi and his queen, Farah Diba. In 1971 Persepolis was used as a backdrop for the celebrations of the 2500th anniversary of the Persian Empire founded by Cyrus the Great. Whilst most Iranians lived in poverty, crushed under the heels of the hated, US-trained, SAVAK secret police, the Pahlavis squandered an estimated $200,000,000 (at 1971 values) on this recreation of the grandeur of a once-great empire. J, was performing at a festival organised by the Shah’s sister and, I hasten to add, was not paid what I consider she is worth and neither did she get a sip of the Château Lafite Rothschild 1945 champers that had flowed so freely seven years earlier! She has wanted to go back ever since.
Anyway, let’s get back to the touristy bit. Persepolis, I have to say, is a pretty impressive place. If one has just a modicum of imagination it is impossible not to gasp at the size and grandeur of this monument to ancient imperial might.
There is a mass of information and photos available online so I’m going to concentrate on one particular angle that blew me away – the staggeringly detailed relief work that gave a real insight into the scale and complexity of the empire. That these amazing monuments to the power and reach of Cyrus and the skill and artistry of the masons have survived in such pristine condition is a miracle. If you plan to visit Iran before you die, and you should (visit, that is), then Persepolis is a must.
J and I had the benefit of having a young archaeology student by the name of Vahil as our guide – he was wonderfully enthusiastic, very knowledgeable about his subject and good looking to boot, or so J informed me.
The reliefs you are looking at are carved into a type of black basalt rock that is incredibly hard – I imagine it is difficult to work but has resulted in a durability that has sustained them for 2500 years. UNESCO World Heritage status ‘rules’ forbid anything other than brushing away the dirt of centuries. There are, however, one or two places where part of the carving has been polished back to how it would have looked in Cyrus’ time. The Armenian delegation above is an example.
So, ‘What a relief’ I hear you say, ‘that’s the end of that!’
Alan in Okçular